Tsha

restaurer: untitled by hey van on Flickr.

restaurer:

untitled by hey van on Flickr.

(via malumlupis)

nostalgic-dreaming: untitled by moon moustache on Flickr.

nostalgic-dreaming:

untitled by moon moustache on Flickr.

(via malumlupis)

(via discolor3d)

(Source: uglybarbies, via gnostic-forest)

(Source: life1nmotion, via xote)

funnyorwtf: The quick brown fox jumps over the lazy dog.

funnyorwtf:

The quick brown fox jumps over the lazy dog.

ilove-piercings-and-tattoos: http://ilove-piercings-and-tattoos.tumblr.com/

ilove-piercings-and-tattoos:

http://ilove-piercings-and-tattoos.tumblr.com/

(Source: grayskymorning, via gnostic-forest)

hifas:

Philodendron Xanad 02
Ruben Bellinkx

(via monarchie)

9hirondelles: “A young woman in a pizza parlor,” New York, 2005 by Constantine Manos

9hirondelles:

“A young woman in a pizza parlor,” New York, 2005 by Constantine Manos

isgandar: Lu Nan 吕楠 “A work that can endure through the ages must have a spirit that can touch the soul.” Born Beijing, 1962 Lu Nan is a modest man. Though he’s a former member of the elite Magnum Photos, he shuns interviewers and avoids being photographed. His passion is for photographing others, always outsiders—people who are rejected by society or pushed to its margins. To make his epic photo documentary on China’s underground Catholics (On the Road, 1992-1998), he—like his subjects—risked arrest and prosecution. He has also photographed Tibetan peasants and inmates of mental hospitals. On a 2006 visit to Myanmar (Burma), Lu Nan encountered another group of outcasts, people addicted to their country’s most lucrative exports: opium and heroin. After photographing men, women and children blissed out in narcotic dazes, he moved on to one of the prison camps where addicts and dealers alike suffer under the same harsh conditions. Asked how he manages to win the trust of his subjects, Lu Nan replies: “I just respect them and care about them. … They are the same as us.”

isgandar:

Lu Nan 吕楠

“A work that can endure through the ages must have a spirit that can touch the soul.”

Born Beijing, 1962

Lu Nan is a modest man. Though he’s a former member of the elite Magnum Photos, he shuns interviewers and avoids being photographed. His passion is for photographing others, always outsiders—people who are rejected by society or pushed to its margins. To make his epic photo documentary on China’s underground Catholics (On the Road, 1992-1998), he—like his subjects—risked arrest and prosecution. He has also photographed Tibetan peasants and inmates of mental hospitals. On a 2006 visit to Myanmar (Burma), Lu Nan encountered another group of outcasts, people addicted to their country’s most lucrative exports: opium and heroin. After photographing men, women and children blissed out in narcotic dazes, he moved on to one of the prison camps where addicts and dealers alike suffer under the same harsh conditions. Asked how he manages to win the trust of his subjects, Lu Nan replies: “I just respect them and care about them. … They are the same as us.”

(via 35mmfromreality)

(via 35mmfromreality)

caoticasasha: David Alan Harve MEXICO. Yucatan. 1975

caoticasasha:

David Alan Harve

MEXICO. Yucatan. 1975

burnedshoes: © Ernst Haas, 1953, Man carrying a door, Positano, Italy The “door” to my professional website will be unlocked tomorrow, stay tuned! » more of Magnum Photos here «

burnedshoes:

© Ernst Haas, 1953, Man carrying a door, Positano, Italy

The “door” to my professional website will be unlocked tomorrow, stay tuned!

» more of Magnum Photos here «